The individual pieces used to fabricate this band and assembled together.
He tests to ensure that the center stone fits into the seat before beginning the fabrication process.
Using both string and polishing compound, Henry uses a thrumming technique to polish the small crevices.
Henry uses a hart bur to cut the seats on the inside of the prongs for the stone to nestle into.
The platinum base of the ring is prepped for the fabrication and setting process.
Henry uses a milgrain tool which consists of a small wheel with evenly spaced notches or teeth on its edge. These notches create the beaded row on the shank when pressed onto the metal surface.
The prongs are polished before the moissanite is set to ensure that they have a high shine beneath the stone.
A bristle brush is used to prep the center setting.